Sketchbooks the hidden art of designers illustrators and creatives pdf

Whether it's sculpting , drawing , or painting , their creative process can either come spontaneously or can be prepared through initial sketches and drafts. Creativity is subjective, deeply personal, and sometimes difficult to be captured on a consistent basis. Many of them keep their mind artistically stimulated by taking walks, going to museums, or reading!

In this article, The Artling looks at 10 artists breaking down their creative process, and sharing what inspires them! Daniel O'Toole is an Australian artist, based in Melbourne. He is inspired by the 'Light and space' movement of the s Los Angeles , and his work is positioned in the post-digital contex t of contemporary Australia.

Films, books, music, poetry, nature, art, dance, light, colour, smells, tastes, life. He describes his creative process as working with a range of media, to understand what personal truth is written in code regardless of the materials being employed.

Video works are the source material for paintings which are often framed behind a frosted screen. In his abstract digital photo-art, self-taught visual artist Joris Graaf The Hague, seeks to create tension by forming a synthesis of opposites: noise and melody, growth and decay.

His work is inspired by contemporary abstract painting. He is fascinated by the emotive power of shape and color. I then process these images in a software package called Lightroom. Joris uses his camera as an instrument to capture textures and structures , either from the world around him or from assemblages of paint and other materials that he makes specifically for this purpose. These are the raw ingredients that he uses to compose his work in the digital realm.

With my images, I intend to create an atmosphere and to convey the feelings and emotions to the viewer that I felt at the time of making them. Recurring stylistic elements are the use of an altered, minimal colour palette and an interplay of order and chaos, of spontaneity and restraint. Sumali Piyatissa is an artist based in Colombo, Sri Lanka.

Sumali is a self-taught, active artist who develops her own style, composing her own artistic identity, and creating unique works of art. She enjoys experimenting with vibrant color palettes and different media. Her works range from classic oil paints to alcoholic inks and epoxy resins.

Depending on my mood I would use very vibrant hues or subdued hues. I use a lot of gold leaf and the gold dust. It gives such a rich finish to the painting and somehow brightens it up. Each painting is different and I layer it with texture and paints.

I use the palette knife to create and define the painting. Which is also one of my favorite tools to use along with the fan brush. He lived through the Lebanese civil war — a blunt period of balancing survival with creativity.

His early years were absorbed by collecting rocks and fossils, and re-drawing cereal box graphics. He is inspired by commercial products, pop culture, brutalist architecture, modernism, minimalism , and mother nature's paraphernalia. Mime , is a French artist living in Paris.

After studying art market design and contemporary art , he decided to try his hand at collage. Mime draws his resources from his travels and his numerous visits to second-hand libraries. He browses, sources, skims, cuts, clips, trims, hides and glues visages and busts from all time periods, all eras.

This blue is my signature and the witness of the scene that i transcribe on the paper. All of these collages are handmade unique pieces with no computer during the production process. However, I remain open to use the computer depending on my upcoming projects. The most important tool when creating his work is to take care of proportions and to make colors and textures fit together.

Lanino studied drawing , painting , sculpture , and printmaking. She frequently exhibits in the United States, and abroad. I capture moments of my life, or elements from historical paintings that resonate with our times and help inform our future.

She first begins with charcoal, on paper or canvas; making marks, erasing, beginning again, and leaving marks behind. She is drawn to beauty in art, and how beauty is found in art. My work has always been about being a woman and how I feel being in that space, my personal response; reevaluating and revoking memories is what inspires me.

Ewelina Skowronska is a Visual artist b. She moves away from showing it as a finite whole, instead of expressing it through a sense of space and fluidity, producing a distinctive vision of feminine physicality. I use printmaking as my main medium. Printmaking has a long history and tradition, and, as a medium which is not very immediate and which has quite a lot of limitations, it is very often placed in a different category than, for example, fine art.

That is why it is very interesting for me to use traditional mediums, such as etching or woodcut , while working on my subject matter.

I am interested in pushing the boundaries of this medium. Through the exploration of the fundamentals of color, form, lines, and negative space, she focuses on ephemeral and unspoken aspects, using a combination of different printing techniques to produce a unique and powerful contrast. By exploring the interplay between nudity and carnality, she creates images on the edge of the figurative and abstract.

Andy Yang b. After the first few initial figurative investigations, Yang gradually moved to the abstract plane. He felt that this was the most fertile ground for his artistic research, essentially because of the freedom afforded to him in exploring colours and forms.

He shared his creative process with us:. Rough ideas that I have recorded throughout the years waiting for me to work on them. I will work on them for a while and see if they are worth pursuing before I dedicate more time to develop them.

His most important tool when creating his artwork is his pencil, portable watercolour kit and sketchbook to record his ideas on the go. Lali Torma is a German artist based in Berlin. She is inspired by nature, surfaces, patterns and light movement. Once her decisions about color and starting point are taken, Lali works by staying in the moment, thus keeping connected to each element and step of the process.

It is a meditative state reinforced by the repetitive movement, a state of simple spontaneous flow where I vanish and let bigger forces play. YongHo Park is a South-Korean metal artist. He seeks the harmony of metal and painting and tries to balance both mediums. For him, metal is such a suitable material to express his thoughts and sensibilities - he always tries to reflect his inspiration into various metallic materials. So every artwork essentially includes metal as the main material and it's combined with the textured and colored wood panel.

Depending on the subject, I choose the most appropriate one out of various kinds of metals steel, stainless steel, aluminum.

I know. The same holds true in this new book that covers much the same ground as my own, though with a new cast of artists wielding pens, brushes and scissors. The poet Adrienne Rich has said that the notes for the poem are the poem. Likewise, one might argue that the journal pages featured in Sketchbooks, even those intended as movements toward an eventual finished work, are works in and of themselves.

Sketchbooks and journals I am not a stickler on the terminology tear open a series of questions: What is finished? Is anything ever finished? What is the allure of the deconstructed object, i. They also ignite questions about privacy, namely, do we value a work differently if it was not intentionally created for public viewing? Intentionality is, for me, a big marker in whether something constitutes a true sketchbook or journal. When I blog, for instance, I intentionally write for an audience.

But when I work in my journal, I work for myself — even if I am willing to share some pages with others later. Safety is key in a journal—safety to explore, to mess up, to try on entirely new styles and voices. If a sketchbook is not a repository of raw ideas, but a touring portfolio of my best work, it loses the very thing that makes it special.

In addition to providing this safe place, journals also teach an artist to hone his or her work. Holly Wales , a London-based illustrator, says,. You realize that what you leave out is as important as you put in. In a way they are themselves filters. They filter away the whimsical, the faddish and the pointless.

That way, the only useful sketchbook is the current one, which carries forth with it interesting trains of thought. Such overly produced journals crowd out our playfulness; they chide us into being more perfect and more lovely.